Vernissage
Yellow Chrysanthemums and Red Osmanthus in the Style of Wang Yuan

Shen Zhou

Chinese, 1427–1509

Yellow Chrysanthemums and Red Osmanthus in the Style of Wang Yuan, 1468

Hanging scroll; ink on paper

397.1 × 127.4 cm (156 ¼ × 50 ¼ in.)

The Cleveland Museum of Art
Bequest of Mrs. A. Dean Perry

Shen Zhou, a native from Suzhou, was descended from a prominent land-owning family with strong ties to literati culture. Because Shen Zhou never entered government service, he had ample opportunity to cultivate the arts of painting, poetry, and calligraphy. Chrysanthemums and red osmanthus both bloom in autumn. The deep orange osmanthus flowers emanate a characteristically sweet fragrance. According to his inscription on the painting, Shen Zhou sought to imitate the style of the Yuan dynasty (1271–1368) painter Wang Yuan. His color-filled brushstrokes and washes, however, anticipate the flower painting style of Yun Shouping, whose Peonies are also in the Cleveland Museum of Art collection, https://www.clevelandart.org/art/1967.192. The sheer size and complex composition of this scroll are impressive.

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The Thousand Acres of Clouds, from Twelve Views of Tiger Hill, Suzhou
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The Nodding Stone Terrace, Tiger Hill, and the Thousand-Man Seat, from Twelve Views of Tiger Hill, Suzhou
The Five Sages Terrace, from Twelve Views of Tiger Hill, Suzhou
The Enlightened Stone Retreat, from Twelve Views of Tiger Hill, Suzhou
Bamboo Pavilion, Tiger Hill, from Twelve Views of Tiger Hill, Suzhou
The Fool's Spring, from Twelve Views of Tiger Hill, Suzhou
The Sword Spring, Tiger Hill, from Twelve Views of Tiger Hill, Suzhou