Vernissage
The Nodding Stone Terrace, Tiger Hill, and the Thousand-Man Seat, from Twelve Views of Tiger Hill, Suzhou

Shen Zhou

Chinese, 1427–1509

The Nodding Stone Terrace, Tiger Hill, and the Thousand-Man Seat, from Twelve Views of Tiger Hill, Suzhou, after 1490

Album leaf; ink on paper or ink and slight color on paper

36.5 × 49.9 cm (14 ¼ × 19 ¾ in.)

The Cleveland Museum of Art
Leonard C. Hanna Jr. Fund

Views of Tiger Hill depicts a historic site a few miles northwest of Suzhou. The scenes simulate a visit from arriving by boat at the foot of the mountain to climbing to Cloudy Cliff Monastery. Representations of the artist’s mature style, Shen Zhou included views in subtle colors in the suite of monochrome scenes. A Suzhou native, Shen Zhou was supported by family wealth and rejected an official career in favor of life as a retired scholar. Turning to painting in midlife, he is regarded as the founder of the Wu School of painting, with its center in Suzhou.

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Flowering Crab Apple
Tiger-Flight Spring at the Back Gate, from Twelve Views of Tiger Hill, Suzhou
The Thousand Buddha Hall and the Pagoda of the "Cloudy Cliff" Monastery, from Twelve Views of Tiger Hill, Suzhou
The Thousand Acres of Clouds, from Twelve Views of Tiger Hill, Suzhou
Yellow Chrysanthemums and Red Osmanthus in the Style of Wang Yuan
Twelve Views of Tiger Hill
Distant View of Tiger Hill from the Canal Mooring, from Twelve Views of Tiger Hill, Suzhou
The Five Sages Terrace, from Twelve Views of Tiger Hill, Suzhou
The Enlightened Stone Retreat, from Twelve Views of Tiger Hill, Suzhou
Bamboo Pavilion, Tiger Hill, from Twelve Views of Tiger Hill, Suzhou
The Fool's Spring, from Twelve Views of Tiger Hill, Suzhou
The Sword Spring, Tiger Hill, from Twelve Views of Tiger Hill, Suzhou